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乐山师范学院高级英语
6、 The author.s feeling toward motor cars, telephone, and wireless is one of_____. A. distaste B. anger C. fear D. relief
7、 Read the following passage carefully and complete the succeeding three items ,Ⅱ,Ⅲ,Ⅳ. (1) Big houses in Ireland are, I am told, very isolated. I say “I am told" because the isolation, or loneliness of my own house is only borne in on me, from time to time, by the exclamations of travelers when they arrive. “Well," they exclaim with a hint of denunciation,“you are a long way from everywhere!" I suppose I see this the other way round: everywhere seems to have placed itself a long way from me--if “everywhere" means shopping towns, railway stations or Ireland.s principal through roads. But one.s own point of departure always seems to one normal. I have grown up accustomed to seeing out of my windows nothing but grass, sky, tree, to being enclosed in a ring of almost complete silence and to making journeys for anything that I want. Actually, a main road passes my gates (though it is a main road not much travelled); my post village, which is fairy animated, is just a mile up the hill, and daily bus, now, connects this village with Cork. The motor car demolishes distances, and the telephone and wireless keep the house knit up, perhaps too much with the world. The loneliness of my house, as of many others, is more an effect than a reality. But it is the effect that is interesting. (2) When I visit other big houses. I am struck by some quality that they all have--not so much isolation as mystery. Each house seems to live under its own spell, and that is the spell that falls on the visitor from the moment he passes in at the gates. The ring of woods inside the territory wall conceals, at first, the whole territory from the eye: this looks, from the road, like the woods in sleep, with a great glade inside. Inside the gates the avenue often describes loops, to make itself of still more extravagant length; it is sometimes arched by beeches, sometimes silent with moss. On each side lie those tree-studded grass spaces we Anglo-Irish call lawns and English people puzzle us by speaking of as“the park," On these browse cattle, or there may be horses out on grass. A second gate一(generally white-painted, so that one may not drive into it in the dark)—keeps these away from the house in its inner circle of trees. Having shut this clanking white gate behind one, one takes the last reach of avenue and meets the faded, dark-windowed and somehow hypnotic stare of the big house. Often a line of mountains rises above it, or a river is seen through a break in woods. But the house. in its silence, seems to be contemplating the swell or fall of its own lawns. 3) The paradox of these big houses is that often they are not big at all. Those massive detached villas outside cities probably have a greater number of rooms. We have of course in Ireland the great houses—houses Renaissance Italy hardly rivals, houses with superb facades, colonnades, pavilions and, inside, chains of plastered, painted saloons, but the houses, that I know best, and write of, would be only called "big”in Ireland—in England they would be “country houses," no more. They are of adequate size for a family, its dependants, a modest number of guests. They gave few annexes, they do not ramble; they are nearly always compactly square. Much of the space inside (and there is not so much space) has been sacrificed to airy halls and lobbies and to the elegant structure of staircases. Their facades (very often in the Italian manner) are not lengthy, though they may be high. Is it height— in this country of otherwise low building—that got these Anglo-Irish houses their “big”name? Or have they been called“big" with a slight inflection— that of hostility, irony? One may call a man "big" with just that infection because he seems to think the hell of himself. (4) These houses, however, are certainly not little. Let us say that their size, like their loneliness, is an effect rather than a reality. Perhaps the wide, private spaces they occupy throw a distending reflection on to their walls. And, they were planned for spacious living for hospitality above all. Unlike the low, warm, ruddy French and English manors, they have made no natural growth from the soil—the idea that begot them was a purely social one. The Functional parts of them— kitchens and offices, farm-buildings, Outbuildings—were sunk underground, concealed by walls or by trees; only stables (for horses ranked very highly) emerged to view, as suavely planned as the house. Ⅱ. In this section there are ten incomplete statements or questions, followed by four choices marked A, B, C and D. Choose the best answer and mark the corresponding letter on your Answer Sheet. (20 points, 2 points for each) 16. In Paragraph 1, the word“denunciation”means . A. public accusation B. heated debate C. hearty approval D. stealthy discussion
8、 Which of the following might be the best title for this passage? A. Irish Architecture B. The Big House C. Modern Houses D. The History of Architecture
9、 II. Translate the following sentences into Chinese and write the translation on your Answer Sheet, (10 points, 2 points for each) 26. I have grown up accustomed to seeing out of my windows nothing but grass, sky, tee, to being enclosed in a ring of almost complete silence and to making journeys for anything that I want.
10、 According to Paragraph 4, the effect that these houses are big in size is the result of . A. the need for wide spaces B. careful design C. the plan for spacious living D. visual illusion
1、 IV. Answer the following essay question in English within 80-100 words. Write your answer on your Answer Sheet. (10 point) 31. What is your ideal house?
四四、、选选择择填填空空题题 1、 Ⅴ. The following paragraphs are taken from the textbooks, followed by a list of words or expressions marked A to Y. Choose the one that best completes each of the sentences and write the corresponding letter on your Answer Sheet. One word or expression for each blank only. (25 points, 1 point for each) The run must have tuned Bonnie up. When they got back 32(____) , as soon as he lowered her into the crib, she began to 33(____) and wave her arms. He didn.t want to play with her. He tossed some 34(____) and a rattle into the crib and walked into the 35(____) , where he turned on the 36(____) water and began to comb his hair. But some years ago, I married a girl whose mother is an 37(____) cook of the kind called "old- fashioned". This gifted woman.s daughter (my wife) was 38(____) her mother.s venerable skills. She still buys 39(____) products from the neighbors and, in so far as possible, she uses the same materials her mother and grandmother Did—to prepare meals that are 40(____) They are just as good as I 41(____) them from my courtship. Not surprisingly, Watts, too, was in the 42(____) of painful discussion about the riots. It was beginning to look as 43(____) I the deepest impact of the riots was 44(____) the people of Watts themselves. Old attitudes about the community were in 45(____) . There were no explanations that seemed complete. No one knew for sure 46(____) it all began. Most of the work that most people have to do is not in itself 47(____),but even such work has 48(____) great advantages. To begin with, it 49(____) a good many hours of the day without the need of deciding what one shall do. Most people, 50(____) they are left free to fill their own time according to their own choice, are at a 51(____) to think of anything sufficiently pleasant to be worth doing. It was mid-June, 1972, the Chicago Amphitheater was 52(____) , sweltering, rocking. Onstage, Mick Jagger of the Rolling Stones was 53(____) I "Midnight Rambler." Critic Don Heckman was there when the song 54(____) "Jagger," he said,“grabs a half-gallon 55(____) of water and runs along the front platform, sprinkling its contents over the first few rows of sweltering listeners. They 56(____) to follow him,eager to be touched by a few baptismal drops.” A.blocks B.throes C.uphroes D.superior E.fills F.interesting G.home H.on I.dairy J.loss K.packed L.recall M.shout N,sing O.ended P,when Q.taughtR.certain S.how T,batnroom U.jug V,hot W.though X,expert Y.surge
7、 Read the following passage carefully and complete the succeeding three items ,Ⅱ,Ⅲ,Ⅳ. (1) Big houses in Ireland are, I am told, very isolated. I say “I am told" because the isolation, or loneliness of my own house is only borne in on me, from time to time, by the exclamations of travelers when they arrive. “Well," they exclaim with a hint of denunciation,“you are a long way from everywhere!" I suppose I see this the other way round: everywhere seems to have placed itself a long way from me--if “everywhere" means shopping towns, railway stations or Ireland.s principal through roads. But one.s own point of departure always seems to one normal. I have grown up accustomed to seeing out of my windows nothing but grass, sky, tree, to being enclosed in a ring of almost complete silence and to making journeys for anything that I want. Actually, a main road passes my gates (though it is a main road not much travelled); my post village, which is fairy animated, is just a mile up the hill, and daily bus, now, connects this village with Cork. The motor car demolishes distances, and the telephone and wireless keep the house knit up, perhaps too much with the world. The loneliness of my house, as of many others, is more an effect than a reality. But it is the effect that is interesting. (2) When I visit other big houses. I am struck by some quality that they all have--not so much isolation as mystery. Each house seems to live under its own spell, and that is the spell that falls on the visitor from the moment he passes in at the gates. The ring of woods inside the territory wall conceals, at first, the whole territory from the eye: this looks, from the road, like the woods in sleep, with a great glade inside. Inside the gates the avenue often describes loops, to make itself of still more extravagant length; it is sometimes arched by beeches, sometimes silent with moss. On each side lie those tree-studded grass spaces we Anglo-Irish call lawns and English people puzzle us by speaking of as“the park," On these browse cattle, or there may be horses out on grass. A second gate一(generally white-painted, so that one may not drive into it in the dark)—keeps these away from the house in its inner circle of trees. Having shut this clanking white gate behind one, one takes the last reach of avenue and meets the faded, dark-windowed and somehow hypnotic stare of the big house. Often a line of mountains rises above it, or a river is seen through a break in woods. But the house. in its silence, seems to be contemplating the swell or fall of its own lawns. 3) The paradox of these big houses is that often they are not big at all. Those massive detached villas outside cities probably have a greater number of rooms. We have of course in Ireland the great houses—houses Renaissance Italy hardly rivals, houses with superb facades, colonnades, pavilions and, inside, chains of plastered, painted saloons, but the houses, that I know best, and write of, would be only called "big”in Ireland—in England they would be “country houses," no more. They are of adequate size for a family, its dependants, a modest number of guests. They gave few annexes, they do not ramble; they are nearly always compactly square. Much of the space inside (and there is not so much space) has been sacrificed to airy halls and lobbies and to the elegant structure of staircases. Their facades (very often in the Italian manner) are not lengthy, though they may be high. Is it height— in this country of otherwise low building—that got these Anglo-Irish houses their “big”name? Or have they been called“big" with a slight inflection— that of hostility, irony? One may call a man "big" with just that infection because he seems to think the hell of himself. (4) These houses, however, are certainly not little. Let us say that their size, like their loneliness, is an effect rather than a reality. Perhaps the wide, private spaces they occupy throw a distending reflection on to their walls. And, they were planned for spacious living for hospitality above all. Unlike the low, warm, ruddy French and English manors, they have made no natural growth from the soil—the idea that begot them was a purely social one. The Functional parts of them— kitchens and offices, farm-buildings, Outbuildings—were sunk underground, concealed by walls or by trees; only stables (for horses ranked very highly) emerged to view, as suavely planned as the house. Ⅱ. In this section there are ten incomplete statements or questions, followed by four choices marked A, B, C and D. Choose the best answer and mark the corresponding letter on your Answer Sheet. (20 points, 2 points for each) 16. In Paragraph 1, the word“denunciation”means . A. public accusation B. heated debate C. hearty approval D. stealthy discussion
8、 Which of the following might be the best title for this passage? A. Irish Architecture B. The Big House C. Modern Houses D. The History of Architecture
9、 II. Translate the following sentences into Chinese and write the translation on your Answer Sheet, (10 points, 2 points for each) 26. I have grown up accustomed to seeing out of my windows nothing but grass, sky, tee, to being enclosed in a ring of almost complete silence and to making journeys for anything that I want.
10、 According to Paragraph 4, the effect that these houses are big in size is the result of . A. the need for wide spaces B. careful design C. the plan for spacious living D. visual illusion
1、 IV. Answer the following essay question in English within 80-100 words. Write your answer on your Answer Sheet. (10 point) 31. What is your ideal house?
四四、、选选择择填填空空题题 1、 Ⅴ. The following paragraphs are taken from the textbooks, followed by a list of words or expressions marked A to Y. Choose the one that best completes each of the sentences and write the corresponding letter on your Answer Sheet. One word or expression for each blank only. (25 points, 1 point for each) The run must have tuned Bonnie up. When they got back 32(____) , as soon as he lowered her into the crib, she began to 33(____) and wave her arms. He didn.t want to play with her. He tossed some 34(____) and a rattle into the crib and walked into the 35(____) , where he turned on the 36(____) water and began to comb his hair. But some years ago, I married a girl whose mother is an 37(____) cook of the kind called "old- fashioned". This gifted woman.s daughter (my wife) was 38(____) her mother.s venerable skills. She still buys 39(____) products from the neighbors and, in so far as possible, she uses the same materials her mother and grandmother Did—to prepare meals that are 40(____) They are just as good as I 41(____) them from my courtship. Not surprisingly, Watts, too, was in the 42(____) of painful discussion about the riots. It was beginning to look as 43(____) I the deepest impact of the riots was 44(____) the people of Watts themselves. Old attitudes about the community were in 45(____) . There were no explanations that seemed complete. No one knew for sure 46(____) it all began. Most of the work that most people have to do is not in itself 47(____),but even such work has 48(____) great advantages. To begin with, it 49(____) a good many hours of the day without the need of deciding what one shall do. Most people, 50(____) they are left free to fill their own time according to their own choice, are at a 51(____) to think of anything sufficiently pleasant to be worth doing. It was mid-June, 1972, the Chicago Amphitheater was 52(____) , sweltering, rocking. Onstage, Mick Jagger of the Rolling Stones was 53(____) I "Midnight Rambler." Critic Don Heckman was there when the song 54(____) "Jagger," he said,“grabs a half-gallon 55(____) of water and runs along the front platform, sprinkling its contents over the first few rows of sweltering listeners. They 56(____) to follow him,eager to be touched by a few baptismal drops.” A.blocks B.throes C.uphroes D.superior E.fills F.interesting G.home H.on I.dairy J.loss K.packed L.recall M.shout N,sing O.ended P,when Q.taughtR.certain S.how T,batnroom U.jug V,hot W.though X,expert Y.surge